Saturday, January 21, 2012

The Moment Of Happiness

I've had a hell of month. In late December, I had a serious health scare...what should have been a routine nose bleed turned into this major production. Blood shooting out of my nose and mouth like an open faucet. Gag reflex going into effect. Struggles for air. Phone calls to nurses. 24 hours of steady bleeding, racing heart, fear, anxiety, no sleep, dread.

I live alone. It occurred to me, "What if I die like this...in a pool of my own blood? It could take days for anyone to miss me. I'd be found on my bloody carpet, half dressed, my already decomposing body covered in dried blood and vomit. People would see that my bathroom needs a cleaning, that lots of the socks and underwear in my dresser have holes in them, that my fridge has nothing in it but a frozen pizza, three jars of mustard, and a bag of wilted lettuce. That I was watching a Law & Order marathon when death came to take me away. How pathetic."

The events that set me on this course of thinking also set me on a course to a doctor, to find out why the hell my nose had bled for 24 hrs straight. My HMO assigned me to an incredibly dreamy ENT. 25, maybe 26. Drop-dead gorgeous. Charming. Soft-spoken. For whatever reason, she talked to me as if I were a precious, scared baby, instead of a 44 year old woman with a NY accent. My nose was fine, she told me - just dry. I should stop scratching it, rubbing it, picking at it, and blowing it. All things I'm guilty of.  It's itchy, it's dry, I have a lifelong history of sinus pressure and congestion. I mess with my nose a lot. I couldn't do that, anymore, Dr. Dreamy informed me. Oh, and one more thing, my blood pressure was dangerously high. I needed to see my primary doctor ASAP, and I should consider doing 30 minutes of exercise a day, five days a week. That got my attention.  I mean, it really got my attention. So much so that, instead of catching the bus directly home, I walked the first 35 blocks of the trip to get in a little cardio. Surviving 24 hours of bleeding would really suck if the whole thing ended with me dying on some city bus from a heart attack triggered by high blood pressure.

I got a call from my primary doc a few days later. He's awesome. He noted that we hadn't seen each other in ages, and suggested we seize the day and make it a full physical, complete with blood work. Sounded good to me. I fasted after 9 pm (after, I admit, a dinner that was insanely carb-heavy) and arrived at his office the next morning. A nurse tried to take my blood pressure and failed three times. I kept telling her I believed the cuff was faulty, and that she was pinching my arm. She ignored me and kept trying. Finally, she gave up with the words, "This cuff must be broken. I won't pinch you anymore. Let's see what the doctor can do." I went in to the doc. Dr Huang is really sweet. Youngish...maybe 35. Very bright. Very thoughtful. A good listener. He pulled out his old, reliable manual blood pressure meter, put the cuff on me and talked small talk while he took my pressure. It wasn't bad. Only two points higher than it should be for someone my age and weight. He told me to work on diet and exercise, because there didn't seem to be a point in prescribing meds for two points that he was confident I could lower through lifestyle. I liked that. I liked that he didn't rush to meds. I liked that he showed confidence in me to do the right thing. He listened to my heart and lungs and said they sounded clear and strong. We talked about a few things - stuff I've been meaning to get to. Sleep apnea. A referral for a grief counselor.  When we were done, he sent me off to the lab for blood work.


My HMO has a great member website. I can email my doc, make appointments, order meds...all online. The site also makes lab results available to patients in real time. My first lab results came back that night. My overall cholesterol level is great. 162. A 25 yr old would kill for that. Sodium, white and red blood cells, triglycerides, hemoglobin...all perfect.  My vitamin D was way down, but the doc told me to expect that, and that he'd arrange for supplements.

Life can change so suddenly.

The last result to come back was glucose. 217. I know this is high. Very high. Especially for a fasting level. I froze up. My body filled with panic. Diabetes. I know this disease. I ought to. I've never lived without it as a part of my life. My grandmother had it long before I was born. My grandfather developed it. My other grandmother developed it. My mother had it. Some of her 8 siblings had or have it. I have cousins who live with it. At least two of my great grandparents had it. I didn't want it. Yet, I can't say as I was surprised by my blood glucose level. Not only do I have an incredibly strong genetic predisposition, but I'm fat and inactive. I eat too much meat, pasta and cheese, and not enough greens. I was not shocked, but I was scared.

That was a little less than a month ago. Since then, my life has changed drastically. No, that's too passive. Since then, I've made drastic changes in my life. How and what I eat has changed. My sleep patterns have changed. My activity level has changed. As much of a cliche as it might be, this came as a wake-up call. Dr Huang is lovely..we've had some nice talks on the phone, and he's been incredibly encouraging and positive. He's talked about how useless it is to regret past behavior or blame one's self for this sort of thing, and how much better it is to seize the day and give one's self credit for affecting positive change, a little at a time. He's talked about how my condition had been caught early and how the second fasting test he ordered, just a week after the first, already showed improvement due to steps I'd taken on my own to get healthier. He's talked about how my family history of diabetes may give me an edge other people don't have, because I know the disease, I've lived among it, I know it's possible to live with it.

My mother died at 65. She was diabetic. Her diabetes led to kidney failure and blindness and, almost certainly added to the heart disease that eventually killed her long before she should have left us. This is scary. My mother, though, had a lifelong respiratory illness, and degenerative bone disease. These conditions kept her from being able to do many of the things people with diabetes need to do to remain healthy and strong, and prevent organ damage and side effects. In many ways, she never had a chance. I don't have respiratory or bone disease. I do have access to a gym that I've been going to 5-6 days a week for the last month or so. I do have the luxury of shopping and cooking only for myself, and not for a whole family. I do have excellent health insurance.  I also have my late grandmother to think of: she died in 1991, when she was 81. She'd had diabetes for about 35 years, but only become insulin dependent during the last five years of her life. She never went blind. Never developed neuropathy. Never developed kidney disease. She didn't have half the resources or knowledge that I have, but she kicked this disease to a little corner, took control of her life, lived it to the fullest, and died at a ripe, old age. I have her blood coursing through my veins. I have her DNA. I'd like to think I have her spirit, or at least a touch of it.

This morning, after a killer 45 minute cardio workout, I treated myself to a soak in the jacuzzi. It's a really nice, in-ground jacuzzi. Big enough for 15 people or so. Like a tiny swimming pool. It's set among trees that attract hummingbirds and sparrows. One can lay back, look up at the blue sky, and feel the hot jets, as hummingbirds zip past. Really lovely. As is often the case, I had it to myself. As I lay back, listening to the birdsong, it occurred to me: I felt happy. Really happy. Physically and emotionally stronger than I've been in 18 months. Not in the least bit lonely or sad. Not scared. Invigorated by my workout. Cheerful about the birds zipping around. Proud of myself for  not only eating sensibly, but learning to really enjoy the challenge. Deeply satisfied to be wearing a bathing suit that was too snug just a month ago.  This life - it's a damned good one.

Happiness. It's crept up on me.



© 2012 Lana M. Nieves
Limited Licensing: I, the copyright holder of this work, hereby publish it under the Creative Commons Attribution license, granting distribution of my copyrighted work without making changes, with mandatory attribution to Lana M. Nieves and for non-commercial purposes only. - Lana M. Nieves 

Monday, December 19, 2011

2011: The Year in Review

A week early, but why the hell not? I don't expect anything exceptional to happen next week. In no particular order, my best and worst of 2011:

Best Movie You Almost Certainly Didn't See -

Meeks' Cutoff


The story: During the mid 1800s, a party of migrants are moving westward. They hire a guide, who leads them astray with promises of a shortcut. They are lost. They are hungry. They have almost no water left. All they can do is keep walking.  A visual and emotional feast. If you're in it for chase scenes, a soundtrack, and a big, obvious story, don't bother. This quiet movie (there is almost no dialgoue) is all about the getting there. Or, to be more accurate, the NOT getting there. 



Bruce Greenwood, a vastly under-appreciated actor, has never been better. Michelle Williams is as good as ever, turning in what may be the most honest portrayal of a strong woman I've seen in years. In many ways, it's a feminist film. It is a thing of a beauty. I'm willing to bet almost no one who reads this actually saw it. That's a damned shame. It really deserved to be seen on a big screen.

Book Most Likely To Break your Heart, and Maybe Mend It -

Joan Didion's Blue Nights

Joan Didion's life has revolved around loss for well over two years, now. A prolific writer, she turns to the tools of her trade to deal with this loss. Blue Nights, which picks up, so to speak, where The Year of Magical Thinking left off, is a collection of Didion's reflections on the life and death of her only child, on her efforts to keep grief at bay, on the many people who have moved through her life in in the last 77 years, on aging alone, on her own mortality. On realizing that, no matter what our losses, we have only two choices: to keep on living, or to die. Beautifully written. Anyone who has suffered a loss will feel this one. As empowering as it is heartbreaking.  

Piece of News that Did My New York Heart The Most Good

Same Sex Marriage Becomes Legal in New York


The photo says it all. Bless their married, lesbian hearts. I've never been prouder to call myself a native New Yorker.  To date, no less than four people from my high school graduating class of under 200 have legally married their same sex partners in NY. Now, if only we could get a federal ruling that had teeth.


Funniest TV Moment-Cum-Internet-Meme -

Rum Ham


You kind of had to be there. If you were, it was funny as shit.


Best and Biggest Campfest on TV -

American Horror Story's Gays

When Zach Quinto comes out of the closet, he really comes out of the closet



Most Annoying Character on A Most Promising New Show -

Amy Jellicoe, Enlightened 


Laura Dern's Amy Jellicoe has been to rehab and back, and she's got all the answers. A great show. A main character I want to strangle, even as I root for things to work out her way. Just shut up, Amy.

Most Original Villain -

Gillian Darmody, Boardwalk Empire


I've said it before, I'll say it again: Boardwalk Empire isn't really about prohibition. It's all about the women. And no woman loomed larger in season 2 than Gretchen Mol's Gillian Darmody. Gillian is no paper cut-out. She's got dimension and a past...a past that includes horrors perpetrated against her, and horrors she's perpetrated against her own son. We all saw it coming - the incest - but did anyone see that scene and not feel shock, revulsion, and fury? By season's end, there were two women holding the purse strings that control Atlantic City, and one of them was Gillian. I, for one, am stoked. Bring it. 

Worst TV Trend -

Whitney Cummings Taking Over the World of Network Television

More annoying than those asshole kids from Glee. That's saying a hell of a lot. I refuse to post a clip. 

Best New Music - 

Alabama Shakes



Yes, the singer sounds very Janis Joplinesque. She's good. She's damned good. The whole band is good. Her voice is like Joplin, but the band has a sound all its own. And she's not another Madonna clone. Lady Gaga, I'm looking at you.

Performer Whose Talents Are Most Wasted on Crap -

Lady Gaga 


Yeah, I said it. Her pop music is crap. Her persona is annoying as hell. But listen to that voice. Why is she pretending to be Madonna, when there's so much real talent that's all Gaga? If only she'd make this kind of performance her mainstay. I might have to start liking her. 

Most Inconsequential Sporting News -

If New York or Boston Don't Win A Pennant, Does The World Series Really Matter?


Most Satisfying Sporting News -

New Zealand Wins The 2011 Rugby World Cup


Not just because I'm a proud Kiwi citizen who'll always have a warm spot in my heart for New Zealand. Not just because the All Blacks are majestic. Not just because they won it at home. Mostly because kicking French ass at anything makes everyone feel good. 


Friday, December 9, 2011

Striking a Nerve

Yesterday's blog post, about the shadiness of Prospect Park's efforts to "circumvent the unions" and bring ABC's recently cancelled shows to the web without having to deal with the bother of paying actors, camera operators, writers, wardrobe people, etc. fair wages,  obviously struck a chord with people. I've never received so many private messages, Tweets or Facebook comments about/links to a blog post as this one. Nor have any of my previous blog posts ever received so many hits in so short a time.

I know I didn't write The Great Gatsby, or say anything remotely original. In fact, I think the reason so many people have read that piece, and passed it along to others is that I didn't say anything revolutionary. I think a lot of people heard the news about Prospect Park considering bringing in an overseas partner and bypassing the unions and felt the same way I did: that this would be just plain wrong. It flies in the face of what so many people are fighting for, these days: workers' rights, basic benefits, the end of the huge inequity between the 1% and the 99%. I believe a lot  of people read about PP's on-going negotiations and thought, "This is wrong."

Interestingly enough, of all the communication I've had about this blog entry, only one party has come out in favor of Prospect Park, and the move to squash existing union rules. I won't name the party, because I'm not interested in giving free publicity to an outfit that supports union busting. what I will say is that it's a new media production company. I'll also say that their arguments in favor of PP's efforts are as "ridiculous" as they labelled my blog post.

According to this party, working within a new media should abolish baseline union standards that were developed for television. A new medium, according to this party, calls for a whole new set of rules. This party likens the unions involved to the unions that protects the person employed to raise the curtain at Broadway theaters - these days, the curtains are opened and closed electronically, yet union rules still call for a curtain raiser to be paid a full salary. Pretty ridiculous. I agree. But it's a comparison that makes no sense. This party argues that a new medium calls for new negotiations and new contracts. That's double speak for "we think it's ok to pay people less money and cut their benefits, if we want to, because this isn't tv, where budgets are big."  If this isn't One-Percent-Speak, I don't know what is.

This was never about having to pay a curtain man, even though the function had become automated.

Quite the opposite: it's about expecting the curtain man to show up and do his job, as usual,  but only get paid as if his job was mostly being done by a machine.

New media IS a different animal from television. That's why it was "ridiculous" for Prospect Park to promise the public the same production quality, the same casts, and the same frequency of programming. Since the media is new, what needs to be renegotiated first shouldn't be how much the actors or writers or crew earn. What needed to be negotiated from the very beginning was - HOW COULD THESE SHOWS BE CHANGED TO REALISTICALLY BE DEVELOPED FOR WEB VIEWING?  Instead, Prospect park thought backwards - they promised the whole enchilada, and then figured they could buy it at the rate of a questionable 99c Taco Bell taco.

The party that came out against my blog called it not only "ridiculous", but "unfair."

That's rich. Prospect Park is trying to bilk workers out of their hard-earned union rights, and I'm being unfair.

The Case For New Media 


In case anyone is wondering, I'm the last person to be against web-based programming. If anything, I'm excited by it. I think it's the future of entertainment. I think it's a shame that the most widely talked-about new media venture these days is Prospect Park's attempt to bring OLTL and AMC to the web, because it's a mess, and it's not representative of what new media can be. Neither are the ridiculous and unfair arguments made by the unnamed new media operation mentioned above.

Successful new media ventures have been the ones that haven't tried to simply lift a television or cinema model and stick it on the web. I'm not a fan of Venice: The Series, but at least the people who developed it had the presence of mind to create something that didn't require 15 elaborate sets. What I saw of the series used only two or three sets that were existing structures: restaurant scenes filmed in an actual restaurant. hotel room scenes filmed in a hotel room, living room scenes filmed in someone's living room. A lot of what I saw on Venice was a mess, but at least they got this right.

Tello Films produces original, successful programming that's been specifically developed for the web. No one-hour, daily shows with a cast of 30, and a 52-week schedule. Their programming works on the web because it was specifically developed, from the ground up, for the web. They don't promise or claim to recreate the television experience; they offer a new and different programming experience.

And this is the root of Prospect Park's debacle. They thought they could lift two established television programs that cost an enormous amount to produce, and just drop them, as they were, onto the internet. In their screwy, stupid and greedy minds they figured, "Same shows, same frequency, same amount of work...but if people are watching on smaller screens we can pay people less to make them."

Now THAT is ridiculous and unfair.

Wednesday, December 7, 2011

Occupy Your Conscience

Today, We Love Soaps announced that Prospect Park is still talking about picking up One Life To Live and All My Children and turn them into web-based programs. We all know - some of us always knew - that this is a financial impossibility, based on what it costs to produce each hour-long, daily show, 52 weeks a year. And that's what Prospect Park promised. When this whole, hair-brained plot was made public, PP wrote a check they couldn't cash: they promised to keep producing hour-long episodes, of the same production quality viewers were used to, with the same cast, to run every day, 52 weeks a year. Those of us who stopped to think about that for half a second knew it would never happen. We knew it COULD never happen. Not like that. Of course, we were taking for granted that "the same high production values" implied using the same, union labor. Last week, when Prospect park quietly let go of the idea of taking these shows online, there was a lot of talk of union negotiations having fallen apart.

Stop and think about this for a minute - if PP is saying that the only think keeping them from moving these long-running shows to the web was a union issue, what they're really saying is, "We wanted to cut people's salaries and benefits, but we expected the same amount of work, and the same caliber of work from them."

Over the last 10-15 years, budgets for daytime drama have plummeted. Everyone has taken massive pay cuts - even the most bankable actors. Production costs have been slashed to the bare bones, and we've all read about how actors no longer even have rehearsal time - too expensive! And PP wanted to move in an make further cuts?

If this weren't a television production we were discussing, but a construction project, how would you feel about this proposition? If I said to you, "I want to build a skyscraper, but I want to save money. I know the construction workers used to make $50 an hour, and that they've gone to $40 in the last few years, but I'm thinking I'll pay them $30 an hour. Maybe cut their lunch hour down to 30 minutes, and make them buy their own hammers and nails. And I'll expect them to put up a building as quickly and as well as I would have expected at full wage and with full benefits and the best equipment." - what would you think? If someone presented that proposition to me I'd think they were a cheap bastard looking to exploit labor, and I'd make a note to never go into their building, because I'd have some serious doubts about the quality of the construction.

Prospect Park's "negotiations" with the various trade unions are no different. Because of this, I was glad the announcement was made last week about the abandonment of this project. I would have liked to have seen these shows continue, but not at the expense of workers' rights.

Today, We Love Soaps announced that PP may well still be in discussions about their plan to bring OLTL and AMC to the web. Instead of dealing with the unions, though:

"Prospect Park is said to be considering bringing in an overseas firm to turn the shows into a co-production. That may or may not allow the shows to circumvent the unions, which couldn't come to terms with Prospect Park on compensation for talent on both sides of the camera."
Take that in: "may allow them to circumvent the unions."

Just to make sure we're on the same page, I'll spell this out for you: "circumventing the unions" is a nice way of saying "fuck the workers, fuck their union protection, fuck their minimum wage, fuck their benefits, fuck their job safety." It's a way of saying that, if trade unions won't fold and give up whatever protections they've fought long and hard to secure for their members, Prospect Park will gladly hire scabs who will do the work cheaper. It's even saying they'll be happy to pick up these projects and film them elsewhere, where union rules don't apply.

THIS IS NOT GOOD NEWS.
I don't care how much you love these shows,
THIS S NOT GOOD NEWS.
In an economy where the little guy is getting fucked over in every way possible,
THIS IS NOT GOOD NEWS.
For writers, actors, and technical crew people who deserve fair wages and benefits,
THIS IS NOT GOOD NEWS.

If someone came into your workplace and tried this, you'd be livid. And you should be. Because this is bullshit. I've loved soaps my whole life but, for the love of God, how can anyone think it is ok for the big, bad PP to muscle in and tell professionals that their services are worthless, that the employment rights they've fought for are meaningless, and that they can be easily replaced with cheap labor? Forget this is a tv show we're talking about. Think about it happening in a store, or a school, or a hospital, or any other workplace. This is the same shit that pisses people off about American corporations setting up shop in Thailand and paying pennies for labor that, under American union rules, would and should cost dollars. Forget these are tv shows - they're businesses. Workplaces. Forget these are writers and actors and camera operators and editors and makeup men. They're workers. Labor. They work, and they deserve a fair wage and benefits.

Check your conscience before being happy about this development. Is your love of soap operas really worth fucking over the concepts of fair compensation, workplace security, and union protection?

Wednesday, November 16, 2011

Dribs and Drabs

It's been a while since I've done one of these, so here goes....

Best Serious Read: Joan Didion's Blue Nights
Read it. You will read nothing better this year.  It will break your heart. It may also help mend your heart.




Love, loss, heartbreak, mortality, and denial. We all know these things. Joan Didion has the courage to write about them.

Best Crazy-Ass Fun on Basic Cable: American Horror

Two words: Jessica Lange.


She will creep you the hell out. The show is full of holes and faults, but it's as much fun as a carnival ride, and Lange is deliciously twisted.

Best Cheap Amazon Download: Diminished Capacity

Girl meets girl. Girl gets dumped by girl. Girl throws away promising Hollywood career for meth addiction and adventures in identity theft. AND IT'S ALL TRUE.

Julie Hansen's self-published ebook could use some editing, and it takes a little while to get used to her fast-paced, stream-of-consciousness writing, but it's well worth it. A friend who read it likened it to having a conversation with a really smart, witty speed freak - you may have to put it down, every so often, but you wont be able to help picking it up, again.

Six dollars you'll be glad you spent.

Best Illustration of Why The Internet Is Awesome: Was Monroe Raped? 

Watch it. All the way through. And, yes, I totally remember this.


Best Thing To Happen to Kid's Lit: TOON Books 


The best of comic book art meets great writing for beginning readers. They're awesome. I started with Luke on the Loose, and ended up buying the entire set of Toon Books for my nephew, who's discovered the joy of reading. 


Best Artist To Watch Out For: Jenn Hayes 





I discovered her stuff by accident via a friend on Facebook, and immediately fell in love with her creativity and playful style. I had to buy one of her papercrafting pieces for myself. And then another for friends who were celebrating their 25th anniversary. Watch this space: Jenn Hayes is going to be big.

Thursday, November 10, 2011

The Proustian Moment

I went to a weird, little liberal arts college where there was almost no structure. In some ways, it was goofy and ridiculous as hell. In other ways, it was pretty damned great. I think it was mostly pretty great. Most of the best people I know are people I met there. Many of the best times, were had there.

There was no set course list at Goddard. No such thing as a course catalogue. Instead, every semester, people would make suggestions about what group studies (never "classes" - they were called "group studies") should be available. Students would make suggestions. Faculty would make suggestions. Even staff would make suggestions. If the woman who ran the mail room had a suggestion, well, hell...she would be heard and her idea might just make the cut. This could be frustrating. It meant that the first week or two of each semester was spent figuring out what would be offered, who would lead groups, what readings lists and curricula would look like. There would be no English Lit 101 at Goddard. Why would there be, when the sky was the limit? Why would anyone opt for that, when they could choose, as I did my first semester, a group study called Madame Bovary and The Cat?  Madame Bovary and The Cat was the brainchild of Kathryn Davis : a group study in which participants read Flaubert's novel, spent months dissecting one book, and then, at the end of the semester, dissected an actual cat. It sounds crazy, but it was kind of glorious; dissecting a book and a character with our minds, and then moving to a lab setting, and using our hands to slice open a dead cat (who, incidentally, had been pregnant when she died...we opened her up to find a gorgeous litter of fully-formed, dead kittens inside - that was somehow fitting.) I remember the day we dissected the cat. None of us had any training in this area. It wasn't a science class. We were using scalpels and rubber gloves, but we were using them as literary tools. Kathryn looked at us (all four of us) and asked, "How should we cut, and why? Any ideas?" It was quite something. Instead of research papers, participants in the group were free to do whatever type of final project we chose. Why write an academic paper, when you could create a collection of personal effects for Emma Bovary? A birth certificate, passport, driver's license - all playing on Flaubert's vague and ever-changing descriptions of his protagonist. That was my project - the Emma Bovary dossier. Someone else created an installation that struck me as a tribute to repulsiveness. It consisted of an old, plastic soda bottle hanging from the ceiling, a slow but steady stream of pink, gooey liquid falling from it, leaving a disgusting puddle on the floor. I'm not sure what it meant, if it did, indeed, mean anything at all. But it wasn't boring. A paper on Madame Bovary would have been boring. Does the world really need another college term paper on Flaubert?

But I digress. I don't really want to write about my college experience, except by way of writing about an experience I had a few days ago. One of the last group studies I took at Goddard, and one of the more traditional, was called The Art of Memory. Mark Doty, who suggested the group and facilitated it, was interested in memory as a creative trigger for writers. It was Proust's moment with a cup of tea and a cookie - the moment that resulted in Remembrance of Things Past - that inspired the group study. The first volume was sort our class guide - we read it slowly, during the course of the semester, while also doing a number of writing exercises that involved using memory as a creative trigger. It seemed like a great concept but, to be honest, I found Proust incredibly boring and not at all moving or inspirational. At the last group meeting, Doty treated us all to tea and madeleines, with the idea that the combination would trigger memories for us the way it had for Proust. It didn't, of course. Because that particular combination was Marcel Proust's trigger, not mine. Proust's pivotal moment was, for me, just a cookie dipped in weak tea. Ho hum.

But everyone has his or her own tea and madeleines.

We've started getting cold weather in San Francisco. I happen to be broke, and buying a box of cheap, instant cocoa for $1.99 is cheaper than shelling out $2.00 for a cup of hot cocoa at a local coffee shop. A few days ago, when it was especially cold in the middle of the afternoon, I opened a packet of Nestle's cocoa, emptied it into a mug, and filled the mug with hot water from the electric kettle we have at work. I gave the hot cocoa a stir with a plastic spoon, threw the spoon away, and took a sip as I walked down the hallway towards my office. That subtle saltiness that's always there in cheap cocoa hit my tongue and, for a moment I left my body and found myself at another moment in my life.

I am very young and I know, somehow, that I am the youngest of my mother's children: there is no baby sister, yet. This means I am no older than 5. This means it must be no later than 1972. My mother and I have spent the day together, alone. A rare thing, and I can't imagine where my older sister is, but I don't really care. A day alone with my mother is like magic. I love being with her. She is fun and lovable. We are in the Flatiron district of Manhattan, near her job. She's taken me to work on this day, and then to a wholesale dealer of toys and novelties, where I was allowed to pick out a few items from the 50 cent bin. The afternoon ends with the two of us at a diner. Eating out is a rare treat in 1972, not a common occurrence, the way it is in 2011. I want to sit at the counter and spin around on the round stool. Yes, that's fine. We sit at the counter and eat sandwiches. Grilled cheese? Maybe tuna salad. Each sandwich comes with a dill pickle on the side and my mother, who never liked pickles, gives me hers. We also have tiny, metal bowls with crunchy cole slaw. So yummy. When the waitress asks my mother if she'd like coffee, she scrunches up her nose. She never drinks what we call "American coffee," meaning Maxwell House made in a drip coffee maker and kept warm for hours. In our family, we drink rich, finely ground, Puerto Rican coffee filtered through a colador - a muslin coffee sock.

Even I drink this strong coffee, with boiled milk and sugar. Even I know to scrunch up my nose at American coffee. Instead, my mother orders hot cocoa. The waitress asks if we'd like marshmallows or whipped cream. I look up at my mother, who smiles with her big, brown eyes and says, with a hint of fun in her voice, "Both!" I have had hot cocoa, before, but never marshmallows, and never whipped cream. When our mugs arrive, they're piled high with swirls of cream. My mother tells me to go ahead and taste the cream, but to be careful - the cocoa is very hot. She slides a spoon under the whipped cream and pulls out a melted mini marshmallow, blows on it to cool it off, and then spoon-feeds it to me as if I were, once again, her baby. A little of the cocoa is on the spoon and I taste a subtle saltiness. The same saltiness I will taste in 2011. The same subtle saltiness that will send me reeling back for just a moment, make me so happy to be in that time and place I'd almost forgotten about. The same subtle saltiness that, once the Proustian moment is over, will leave my heart aching and leave me without breath as I say to myself, out loud, "Oh...Ma...."

Oh. Ma.



© 2012 Lana M. Nieves
Limited Licensing: I, the copyright holder of this work, hereby publish it under the Creative Commons Attribution license, granting distribution of my copyrighted work without making changes, with mandatory attribution to Lana M. Nieves and for non-commercial purposes only. - Lana M. Nieves 

Monday, November 7, 2011

Toe Pick

My blogging over the years has been a bit of verbal jambalaya. I'm just as interested in the human condition as I am in the week's tv listings. I might blog one day about human rights, and the next about this week's episode of Boardwalk Empire. And why not? Pop culture speaks volumes about who we are and where we are in time. What we read, watch, listen to - it's all about stories, isn't it? And what is the study of human nature if not the study of the stories that human beings share, pass down, are drawn to at any moment in time?

A few days ago, I was flipping channels and stumbled upon a movie I have never been able to resist: 1992's The Cutting Edge. Now, I won't tell you this is a great movie, or even a good movie. It's not. It's cheese. But not just any cheese. It's visual Velveeta. You know the stuff. You laugh at it on the sly but, every so often, when you're all alone - or maybe with a close friend - nothing hits the spot like a grilled cheese sandwich made with Velveeta and Wonder Bread. Or maybe you get stoned (people still do that, right?) and find yourself with the munchies at  2am. You're not going to pull the brie out of the fridge and let it warm up to room temperature. You're not shaving paper-thin slices of imported parmesan. You're not Making toast points and grilling Spanish bleu cheese. You're going to pull out that big, yellow box, peel away the thick foil, and cut yourself a hunk of Velveeeta. Or you're going to turn on the tv and hope that The Cutting Edge is on cable.

It's ok to admit it.
I do.
I love that craptastic movie. If it's on cable, I HAVE to watch it. And I've come to realize that a lot of other people of my generation feel this way. But why? It's not the most interesting movie. There really aren't any laughs. It doesn't even have a memorable soundtrack or theme song. And it was released in 1992 - my teen years were long over by then, so it's not the whole "that's the movie I saw with my first love!" thing. People my age did not go see this movie on their first date. Sooooooo...WHAT'S THE BIG THING ABOUT THE CUTTING EDGE AND WHAT DOES IT SAY ABOUT GENERATION X?

I think I know.



This movie, although released in 1992, is a nod to the 80s. The last vestige of everything the 80s were about. We initially watched The Cutting Edge because Moira Kelly was hot (I'm a lesbian) and D.B. Sweeney was adorable (I'm gay, not blind), but we watch it again, and again because it's the best snapshot of the decade that preceded it. The decade when, for better or worse, people my age made the shift to adulthood. It's a dumb movie that we can't resist. The 80s?  A dumb decade that, try as we might, we can't resist having a little nostalgia for. And, if you're not resisting this nostalgia, but embracing it and think the 80s were just wonderful, I'm here to tell you that you're seeing that decade through bong-water-stained glasses. The 80s were fucking stupid, and our love for The Cutting Edge is a nod to our love for sheer stupidity. Think about it: it's a heterosexual love story that centers on FIGURE SKATING. It is the swan song to the decade when Brian Boitano told America that he was a straight figure skater from San Francisco, and America swallowed it, hook, line and sinker.

The entire decade was a 10 year tribute to stupidity, poor judgement, and bad taste. Synthesized drums. Acid washed denim. Shoulder pads. Leg warmers. Toni Basil. The Porky's movie franchise.

Stop fighting it.

Duran Duran was a shitty band.
Flashdance was an awful movie.
The California Raisins were stupid.
Max headroom was annoying.
Rainbows and unicorns were corny as shit.
Miami Vice has not aged well.
V.C. Andrews' books were creepy and badly written.
Ronald Fucking Reagan was a terrible, fucking president.

And that's it. That's what The Cutting Edge is all about. It's about how fucking crappy and stupid shit was for 10 whole fucking years, and how stupid we were to buy black rubber bracelets, wear shoes without socks, listen to Flock of Seagulls and think "Where's The Beef?" was funny. The brilliant thing about it - and you have director Paul Michael Glaser to thank for this -  about this silly, cheesy, little movie.....is that it reminds us of our own stupidity - about the stupidity of an entire nation for an entire decade - and it does it in a gentle way.

I don't watch the toe pick scene and think, "Do they really expect us to believe that a guy who's been playing hockey for his whole life has no idea what a regular pair of ice skates looks like and what a toe pick is? I don't even fucking skate and even I know what it is. This is fucking idiotic!" I don't think that. I don't think anything close to that. I see that scene and think, "Awww...this is embarrassingly silly. Moira Kelly is so haughty and pretty. D.B. Sweeney is so freaking goofy and cute."

Scroll up and look at that picture. They're not fucking idiots - they're sweet and hopeful. And we love them, in all their stupidity, because we don't want to think of ourselves as the tacky, stupid generation who came into our own as conspicuous consumers of  complete and utter horse shit because we had such bad taste and poor judgement. We'd rather look back and think of ourselves as silly, lovable kids who played PacMan, loved Ghostbusters (which, BTW, is a fucking stupid movie), and listened to the Purple Rain soundtrack on our Walkmans until the cassettes snapped.

Toe pick.

Hey, don't blame me:  I was too young to vote for Ronald Reagan.



© 2012 Lana M. Nieves
Limited Licensing: I, the copyright holder of this work, hereby publish it under the Creative Commons Attribution license, granting distribution of my copyrighted work without making changes, with mandatory attribution to Lana M. Nieves and for non-commercial purposes only. - Lana M. Nieves 

Monday, October 24, 2011

A River Runs Through It

Last week, one of America's anti-same-sex marriage pundits (you know the guy...his name has become synonymous with "the frothy mixture of lube and fecal matter that is sometimes the by-product of anal sex") said he'd "die to stop same-sex marriage."  My first first reaction? Great, let's kill him. My second reaction? Asking myself how people can be so stupid that they refuse to see when they are fighting a losing battle.

People who waste time and energry opposing same sex marriage are a lot of things: close-minded, ignorant, selfish, self-rightous, intolerant, bigotted. They're also just stupid. That's what I've finally come to see as the plain truth. People who fight the inevitable are stupid. If you were to jump into a raging river, the kind of river where white water rafting is popular, and stand there, hoping against hope to stop the water from getting past you...if you were to do this, I'd tell you that you were stupid. If you were to place a penny on train tracks, in the hopes that it would stop the 5:15 dead, I'd tell you that you were stupid. If you were to hand out bible tracts, believing you could talk hormone-raging teens from wanting to have sex, I'd tell you that you were stupid. If you think you can stop same-sex couples from loving one another, building lives together, forming families and, yes, getting married? You are fucking stupid. Because the movement for equal rights isn't a trickle. It's a roaring rapid. It's an express train without breaks. It's a horny 16 year old boy who'll fuck a jagged hole in the wall, if only he can get close enough. Maybe you can cause a ripple in the flow of water, or get a train to slow down for a second, or force a couple of teenaged lovers to find a more clandestine place to secretly have sex, but you won't stop these things. You can't. And you really, truly are stupid if you think otherwise.

This is what it's like in America, today, when it comes to same-sex couples. While you (yeah, stupid, I'm talking to you) rant and rave about how same-sex marriage will destroy family values, gay couples all over America are getting together, setting up lives, and even getting married. In short, they're quietly proving just how stupid you are. And they're not doing it less than they did before you started acting like a dog with a bone about this issue. They're doing it more often, and more publicly. Even if they're not getting legally married, they're buying homes together, starting businesses together, raising children together.  The minute one state allowed same-sex marriages, the flood gates were opened. And you cannot stop a flood. (There's a joke there, about a dyke, but I'm not going to be the one to make it.) YOU CANNOT. And you're stupid to try.

Last week, my good friend, Thom, married a man named Adam in a quiet, dignified ceremony in New York. Thom and Adam have been together for 20 years. They own two homes together. They collect art. They travel. They support a dozen charities. They throw intimate dinner parties. I've thought of them as a married couple for years. For all intents and purposes, they have been. Now, it's even recognized by law. They win. You lose, stupid. It's a done deal. It's over. The river is picking up momentum, and you're about to be toppled over and drowned. You can go home and lick your wounds, now. Or you can die fighting a losing battle. Be my fucking guest.

Thursday, October 6, 2011

It Keeps Getting Worse

I won't post a link to the video, and I won't even mention the young man's name, but you know who I'm talking about: the teenager who, months after having posted his own video as part of the It Gets Better campaign, recently killed himself. His suicide, it is believed, was the end result of his having been bullied for being gay. This death, as heartbreaking as it is, points to the very reasons I've never cared for the It Gets Better campaign, and think it's a pointless feel-good exercise which makes it possible for people to spend ten minutes in front of a video camera, and then pat themselves on the back for all they've done in the name of gay rights.

The biggest problem I have with the campaign is that, well...its premise is a lie. For many homosexuals it never gets better. Living in a small town can suck, but living in a big city is no solution. Advising gay teens in Kansas to move to SF or NYC is ridiculous and illustrates an ignorance about what such a move would mean, financially, for most people. For most people in America, such a move would be impossible. And, even if they could make such a move, the truth is that hate crimes targeting homosexuals happen in SF and NYC, too. I've witnessed some really ugly homophobia in SF, and I've met people here who have been the victims of extreme anti-gay violence.

The fact is, for a lot of people, it just doesn't get better. A campaign that consists of people talking about how holding on and waiting until the future, because "it gets better" doesn't do a damned thing to address why it sucks to be young and gay, in the first place. It sucks because other people can be shitty. Not just other young people, but adults: teachers, clergy, neighbors, the parents of the kids who do all the bullying. Even the parents of the the young person who is gay. And, guess what? They don't care about any dumb campaign. They're not watching. They don't care that the gay kid from Glee has had his three minutes of talking about how it gets better. They can't stand that little fag any more than they can stand the little fag in their homeroom class, the little fag who lives next door, the little fag who is their own son.

The It Gets Better campaign is the Just Say No of the 21st century. Remember that? A bunch of anti-drug people talking about how saying no to drugs was AWESOME! You know who paid attention? People who were anti-drug. Do you believe, for even a minute, that some heroin addict not only watched as Nancy Reagan and Mr. T talked about how a drug-free life would be neat-o, but ran out to rehab to clean up his act? No? Me neither. Because it didn't happen. And, guess what? That asshole who gets in his pickup truck on friday nights, cruising around town, looking for fags to bash? Not only is he not having an epiphany about how awful it is to terrorize someone on account of who he or she is and how he or she loves...he's not getting on Youtube to find out what Judith Light or Liza Minelli has to say. Like Honey Badger, that asshole with his pickup truck really doesn't give a shit.

This poor kid, who ended his life...he made his own It Gets Better video. Like everyone who's made such a video, he meant well. In it, he talked about how terrifically awesome his friends were when he decided to come out as gay (he'd previously identified as bi.) At the risk of seeming crass and insensitive, this needs to be said: They were his friends. They were SUPPOSED to be terrifically awesome. That's a friend's job. It wasn't ever going to be his friends who were going to make life hell for him. His sad, hopeful It Gets Better video is a cautionary tale, and here are the Cliff's Notes: If you're a young gay person, don't go thinking things will get better just because someone says so in a video. Moving to SF or NYC is not a panacea. Your getting older won't make people suddenly treat you with common decency. The world is often a cold, hard place. Toughen up. Get some emotional armor. Learn to fight. Sharpen your mind and learn to cut others down with wit and logic. Read about the drag queens of Stonewall. Find quality people, and surround yourself with them. Remember what George Herman said: Living well is the best revenge. It won't just get better. You have to make it better, in your own small way, within your own, small life.



© 2012 Lana M. Nieves
Limited Licensing: I, the copyright holder of this work, hereby publish it under the Creative Commons Attribution license, granting distribution of my copyrighted work without making changes, with mandatory attribution to Lana M. Nieves and for non-commercial purposes only. - Lana M. Nieves 

Sunday, July 31, 2011

Idiocracy: It's Real, and It's Right Here in America

I read an article, a short while back, about how lots of people are using Groupon and other such online coupon/discount sites...and about how a lot of the small businesses offering discounts are really disenchanted with the way it's turned out for them. For some reason, small business owners are finding that they're actually losing out, instead of increasing revenue. How can that be?

I think I have a pretty good idea.

A family-owned picture frame store with three locations in the Bay Area offered the following deal: buy a voucher worth $40 for just $20. The fine print said the voucher did not cover anything but frames, did not cover sales tax, and that there were no cash refunds or store credits. Each voucher could only be used during one store visit. Fair enough. I pounced on this. $40 worth of picture frames for $20 plus tax? Hell, yeah. I bought two vouchers because I knew I'd need picture frames in my new apartment, and nice frames are expensive.

Yesterday I went to the frame shop with one voucher, and gave the other voucher to the friend I was shopping with. All they sell at this shop are frames and frame hardware. The initial tip-off that this was going to be an exercise in ineptitude came when the sales girl announced, pretty early on, that she didn't know anything about frames or frame hardware. Take that in. She's a sales girl at a store that sells nothing but frames and frame hardware, and she KNOWS NOTHING ABOUT FRAMES OR FRAME HARDWARE. What's more, she doesn't seem to feel badly about this, or see a problem with announcing it. My friend and I are were picking out frames for original art work, not for photos, so we had very specific needs in terms of frame type, depth and such.

Without any help from her, my friend and I picked out our frames. When it came down to picking out the hardware to secure our paintings to their respective frames, she repeated that she had no idea what any of it was for, how it was used, or how to choose the right hardware for specific types of frames. She called in another guy who knew a little bit about frames and frame hardware, but not much more than my 14 yr old nephew knows. 

I picked a $30 frame. I also had a package of framing hardware that cost about $2. As per the fine print on the voucher and the terms of service I'd agreed to on Groupon, I expected to have the cost of the frame covered by the voucher, and to pay cash for the hardware and any sales tax. The sales girl stared at my voucher for a full minute, but somehow managed to NOT READ IT, because she said, "Your total isn't $40. I don't know if I can let you use this for less than $40 worth of merchandise."

I replied, "Are you joking? Of course you can. I just don't get any change back."

She said, "I don't know about that. I'll have to ask the manager."

I said, "But that's ridiculous. It's better for you if I spend the voucher on less than $40 worth of merchandise, since you don't give cash or credit back."

She didn't understand the concept and repeated, "I don't know about that. I'll have to talk to the manager."

"Well, you can't FORCE me to choose a $40 item."

"I don't know about that. I'll have to ask the manager."

She asked her manager, whose answer was, no...they would not honor the voucher is I had less than $40 worth of merchandise. I explained that I only NEEDED the $30 frame, and that I understood and was fine with the fact that I would not get change or a credit back. Impossible, I was told.....I HAD to have $40 worth of merchandise.

Ridiculous. Unbelievable. My friend passed me a cheap, little frame that I don't really NEED, just to make up the difference. The idiot sales girl then proceeded to include the big frame, the small frame, the hardware and tax in the $40 voucher. She triumphantly announced that I'd gone over the $40 voucher and owed them $1.10. 

Again, take that in. She considered it a victory that I had to pay $1.10 in cash. She, and her manager, think they did a great thing for their shop by forcing me to pay $21.10 ($1.10 in cash, and a voucher I paid $20 for) for $40 worth of goods. They don't understand that they should have let me pay $20 for a $30 frame, and pay for the hardware and sales tax in cash. At the end of the day, not only did they force me to pay less for more stuff, but they paid Groupon a service fee for the privilege. I got $40 worth of goods and they got $21.10, minus Groupon fees. Unless their regular mark-up is 50% (and it isn't - it's actually a very reasonably-priced shop) this transaction COST THEM MONEY.

Small businesses may be pissed off at Groupon, but they need to look to their own ineptness before laying the blame on this whole online coupon thing not working in their favor. 

For one thing, how the hell can a small business afford to offer several thousand 50%-off vouchers? Sears can do that. Target can do that. A small, family-owned, niche business cannot reasonably expect to do that and still turn a profit - especially not when they're paying a service such as Groupon to administer their discounts. I might walk in to Target with a 50% off coupon good for clothing, buy some PJs, and then end up spending another $75 in cash on groceries, toiletries, cleaning supplies, or whatever. But this is a frame shop. They sell only frames. I highly doubt people walk in, use their $40 voucher and then decide, "OMG...I need $600 worth of frames and I need it NOW!"

For another thing, how the hell does a business offer a deal without being well-versed in their own terms of service? I ended up paying only a small portion of the sales tax on this purchase, because the stupid sales girl included the tax in the voucher. A voucher is NOT MONEY. This store is going to have a hell of a lot of fun when it comes time to balance their books and reconcile their accounts for the IRS, because they're essentially NOT CHARGING SALES TAX FOR PEOPLE WHO USE VOUCHERS. The IRS will want that money, and guess who'll have to cough it up? The stupid frame store owner. 

America is in a financial crisis. It makes a lot of sense to point to federal and state policies, corruption in government, and politicians from both major parties who don't give a damn about the average working man. On the other hand, business owners - especially small business owners - need to step up their game. Complaining to the Wall Street Journal that they feel duped by Groupon won't do. I'm guessing a lot of these business owners who are disenchanted figured they could offer and get paid up front for big discounts, and that most consumers would never actually use their Groupon vouchers. That's more than just dumb - its damned greedy. I don't hope the store where I had this experience fails, but I won't be shocked if it does. And, if it does, it can't blamed on a poor economy or TPTB in Washington DC or Sacramento. It'll be because the owner is both stupid and greedy - a dangerous combination.